ngomongin tentang apa aj yg penting nyangkut ke tokusatsu deh . . .
Tokusatsu (特撮?) is a Japanese term that applies to any live-action film or television drama that usually features superheroes and makes considerable use of special effects (tokusatsu literally translates as "special effects").
Tokusatsu entertainment often deals with science fiction, fantasy, or horror, but movies and television shows in other genres can sometimes count as tokusatsu as well. The most popular types of tokusatsu are kaiju monster movies (the Godzilla and Gamera film series), superhero TV serials (the Kamen Rider and Metal Hero Series), and mecha dramas (Giant Robo). Some tokusatsu television programs combine several of these subgenres (the Ultraman and Super Sentai series). Tokusatsu is one of the most popular forms of Japanese entertainment, but most tokusatsu movies and television programs are not widely known outside Asia.
History
Tokusatsu has origins in early Japanese theater, specifically kabuki (with its action- and fight-scenes) and bunraku (which utilized some of the earliest forms of special effects, specifically puppetry). Modern tokusatsu, however, did not begin to take shape until the early 1950s, with the conceptual and creative birth of Godzilla, one of the most famous kaiju (monsters) of all time.
The special-effects artist Eiji Tsuburaya and the director Ishiro Honda became the driving forces behind 1954's Godzilla. Tsuburaya, inspired by the American film King Kong, formulated many of the techniques that would become staples of the genre, such as so-called suitmation — the use of a human actor in a costume to play a giant monster — combined with the use of miniatures and scaled-down city sets. Godzilla forever changed the landscape of Japanese science fiction & fantasy, and cinema, by creating a uniquely Japanese vision in a genre typically dominated by American cinema.
In 1954 Godzilla kickstarted the kaiju genre in Japan, which remained extremely popular for several decades, with characters such as the aforementioned Godzilla, Gamera, and King Ghidorah leading the market. However, in 1957, Shintōhō produced the first film serial featuring the superhero character Super Giant, signaling a shift in popularity that favored masked heroes over giant monsters. Along with the anime Astro Boy, the Super Giant serials had a profound effect on the world of tokusatsu. The following year, in 1958, Moonlight Mask premiered, the first of numerous televised superhero dramas that would make up one of the most popular tokusatsu subgenres.
These original productions preceded the first color television tokusatsu series Ambassador Magma and Ultraman, which heralded the Kyodai Hero genre, wherein a regular-sized protagonist grows to larger proportions to fight equally large monsters.
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